Who wouldn't want to be a superhero for a day, zooming through the skies, protecting the innocent city below from criminals and evildoers? It's a dream of every kid, big and small. Activision's Spider-Man, a Windows port of the PlayStation and Nintendo 64 title, gives computer users the chance to do just that, taking on the role of Marvel Comic's arachnid avenger.
Spider-Man is true to its roots, both as a console title and as a comic book, and that is both its strongest suit and weakest flaw. Throughout the 3D action-adventure, our web-slinging alter ego progresses through the usual series of cartoon scenarios: fighting bad guys, rescuing innocents, and confronting super villains. All of this is made possible by Spider-Man's super strength, agility and amazing webbing powers, which he uses to swing from building to building as well as to trap and pound on his enemies.
A third-person camera follows the wall-walker through the adventures, giving you a view of him and his somewhat streamlined environment. It's not exactly an ideal situation, though, because like many third-person 3D games, the camera view ranges from cinematic to downright awkward, and there's very little you can do to control it.
Scenarios and cut-scenes are linear and directed in nature, and the storyline, such as it is, is revealed in the form of animated sequences between missions and in a series of very appropriate voice-overs by Stan Lee, original creator of the Spider-Man comic book. You're pointed clearly towards each game goal either through the use of Spider-Man's danger-detecting "spider sense," which takes the form of a directional arrow onscreen, or in the form of fairly direct hints. These serve to move the game along quickly, and keep you from getting mired in any overly complicated "find the widget" quests.
Spider-Man is first and foremost an action game, not a superhero RPG, so the emphasis isn't on puzzle solving or creating an immersive world in which to get lost. You're here to kick some bad guy butt and take names. This linearity is one of the areas where Spider-Man's origins as a console game really show through; its ancestors aren't 3D shooters, but rather run the gamut of platform and punch-kick-and-jump games.
Whether the linearity is good or bad is largely a question of individual taste, and perhaps age. A less appealing legacy of Spider-Man's console origins is the control interface, and the multi-button combos required for some of the more elaborate moves. A game controller is recommended, as there's really no way to make keyboard control mapping anything other than awkward. It can be used, but will be an irritation throughout the entire game.
Be prepared for more than your fair share of accidentally falling off buildings and getting unintentionally stuck on walls. Aiming seems partially automated, and player rotation is done in small but incremental moves. Combined, these elements result in plenty of frustrating situations where you're looking right at an enemy for long seconds, but can't seem to line up straight enough for the aiming lock to take effect.
Most disappointingly, some of these complaints, specifically those about the awkward camera angles, have been made since the first PlayStation version was released. Where is the rule that prevents developers from fixing interface and gameplay mistakes during ports? It is fun to don Peter Parker's red and blue suit for a while, and the game does do a decent, if somewhat simplistic, job of letting you feel like you're living the life of a superhero. It's just a shame that one of your biggest opponents is the game interface itself.
Graphics: Graphics are adequate and player animation is smooth and speedy, but some game textures are a bit repetitive and simplistic. It would have been more effective to either take the textures and graphics in a more detailed and realistic vein, to help further immersion in the game, or to further simplify them to play up the comic book origins.
Sound: Game sound is appropriate, if not exactly noteworthy. The intro theme song, a reworking of the classic TV show theme, is top notch. Stan Lee's voiceovers, which are enthusiastic without being either overly serious or self-parody, are also a nice addition to the game sound.
Enjoyment: Game enjoyment is a mixed bag, due mainly to the awkward controls and camera system. Action fans will appreciate the quick pace, but those looking to "live it" (as the documentation suggests) might find the experience shallow. In addition, the game only allows you to stop at designated save points (another legacy of the game's PlayStation roots, no doubt), which serves nothing but to add to your frustration level.
Replay Value: Since the game scenarios are fairly linear, there's not a lot of replay value to them. There are multiple levels of difficulty, as well as stand-alone Speed Training, Time Attack, and Survival mode missions that will give repeat players the opportunity to further hone their skills.
People who downloaded Spider-Man have also downloaded:
Spider-Man 2: The Game, Ultimate Spider-Man, Spider-Man: The Movie, Marvel Comics Spider-Man: The Sinister Six, Spider-Man & Venom: Separation Anxiety, Teenage Mutant Ninja Turtles, Harry Potter and the Chamber of Secrets, Harry Potter and the Philosopher's Stone (a.k.a. Harry Potter and the Sorcerer's Stone)
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